Other Publications | Allison Stedman

« Le rôle de la poésie dans la société mondaine de la fin du XVIIe siècle », in Le poète et le joueur de quilles: Enquête sur la construction de la poésie (XIVe-XXIe siècles), Ed. Olivier Gallet, Adeline Lionetto, Stéphane Loubère, Laure Michel et Thierry Roger. Mont-Saint-Aignan, France: Presses Universitaires de Rouen et du Havre (PURH), 2023, p. 169-178.

“Stigmata and the Mind-Body Connection in Seventeenth-Century France,” in STIGMA: Marking Skin in the Early Modern World, Eds. Katherine Dauge-Roth and Craig Koslofsky. State College, PA: Penn State University Press, 2022, 122-140.

“Mind over Matter: Mineral Springs and the Power of the Imagination in Seventeenth-Century France,” in Enchantment and Disillusion in Seventeenth-Century France, Ed. Michael Call. Tubingen: Narr Verlag, 2021, 11-26.

“Forward,” Salonnières, Furies and Fairies: The Politics of Gender and Cultural Change in Absolutist France by Anne E. Duggan. Newark, DE: University of Delaware Press, 2021, xi-xvi.

“Cultural Intersections of France and Italy: Course Description and Design.” In Teaching Fairy Tales. Ed. Nancy L. Canepa. Detroit, MI: Wayne State University Press, 2019, 387-390.

“Perspectives on the Civilizing Process: Teaching French and Italian Fairy Tales in Translation.” In Teaching Fairy Tales. Ed. Nancy L. Canepa. Detroit, MI: Wayne State University Press, 2019, 141-157.

Secret History in Pre-Revolutionary France.” In The Secret History in Literature, 1660-1820. Ed. Rachel Carnell and Rebecca Bullard. Cambridge, UK: Cambridge University Press, 2017, 205-15.

“‘The Savage’ by Henriette-Julie de Castelnau, comtesse de Murat,” trans. Allison Stedman, in Marvelous Transformations: An Anthology of Tales and New Critical Perspectives, Ed. Christine Jones and Jennifer Shacker. Ontario: Broadview, 2012, 201-18.

“Jean Racine, Marie-Jeanne Lhéritier de Villandon, and Charles Perrault: A Revised Triumvirate,” in Teaching Seventeenth- and Eighteenth-Century French Women Writers. Ed. Faith E. Beasley and Katharine Ann Jensen. New York: Modern Languages Association of America, 2011, 101-8.

“Sacred Writings, Secular Identities: D’Aulnoy’s Manipulation of the Psalm-Paraphrase Tradition,” Intersections. Ed. Faith E. Beasley and Kathleen Wine. Tubingen: Gunter Narr, 2005, 347-356.

“Music as a Tool of Social Transformation in the Novels and Fairy-Tales of Marie-Catherine d’Aulnoy (1690-1698).” Studies in Eighteenth-Century Culture 53 (February 2024): 307-325.

“L’oeuvre collective et la transformation de la sphère publique en France pendant la deuxième moitié du 17ème siècle.” Le Verger-bouquets, XIII (October 2018) 1-10. http://cornucopia16.com/wp-content/uploads/2018/11/larticle-dAllison-Stedman.doc.pdf

“Lafayette Rewrites History, Murat Rewrites Lafayette: The Novel and the Transfiguration of the Social Sphere in Old-Regime France.” Cahiers du dix-septième: An Interdisciplinary Journal XIV (2012) 1-21.

“Prolepic Subversion: Longing for the Middle Ages in the Fin-de-siècle French Fairy Tale.” The Romanic Review 99:2 (2008) 369-86.

“Teaching the Interdisciplinary Seventeenth-Century to Undergraduates: A Literary Historian’s Perspective,” Cahiers du dix-septième: An Interdisciplinary Journal XI: 1 (2006)

“D’Aulnoy’s Histoire d’Hypolite, comte de Duglas (1690): A Fairy-Tale Manifesto,” Marvels & Tales: Journal of Fairy-Tale Studies 19:1 (2005) 32-53.

“Charmed Eloquence: Lhéritier’s Representation of Female Literary Creativity in Late Seventeenth-Century France,” Cahiers du dix-septième: An Interdisciplinary Journal IX:2 (2004) 107-115.

“A Gallery of Authors: The Politics of Innovation and Subversion in Montpensier's Divers Portraits (1659).” Genre 33 (Summer, 2000) 129-49.

Reference Articles